Love, Stairs, and Ouzo: A Review of Barefoot in the Park (1967)

​If you’ve ever wondered what happens when "opposites attract" moves out of the honeymoon suite and into a five-flight walk-up with a hole in the skylight, look no further than Gene Saks’ 1967 gem, Barefoot in the Park. Based on the Neil Simon play, this film is a time capsule of 60s charm, New York neuroses, and the realization that marriage is basically just an endless series of negotiations over temperature and dignity.

​The Setup: High Spirits and Higher Stairs

​The film centers on Paul and Corie Bratter—played by Robert Redford and Jane Fonda at the absolute peak of their "golden couple" powers. Paul is a "stuffed shirt" lawyer who treats life like a deposition, while Corie is a free spirit who thinks logic is a buzzkill.

​After a six-day honeymoon at the Plaza Hotel (where they presumably didn't have to climb a single stair), they move into their first apartment: a tiny, top-floor brownstone unit in Greenwich Village.

​The Running Gag: The "five-flight" walk-up. By the time any character reaches the front door, they are gasping for air and questioning their life choices. It’s a physical comedy masterclass that never gets old, mostly because we’ve all felt that "sixth floor" burn in our souls.

​The Conflict: The Straight-Laced vs. The Barefoot

​The heart of the movie isn't just the physical comedy; it's the ideological war between Paul’s pragmatism and Corie’s passion. Corie wants Paul to be more "spontaneous"—which in her mind involves walking barefoot in Washington Square Park in freezing temperatures. Paul, reasonably, prefers shoes and a lack of pneumonia.

​The tension peaks during a double date arranged by Corie, featuring her lonely, conservative mother (the brilliant Mildred Natwick) and their eccentric, bohemian neighbor, Victor Velasco (Charles Boyer). Victor lives in the attic, climbs through their window to avoid paying rent, and feeds them "Knichi"—a dish that looks like a science experiment and tastes like a dare.

​Why It Works: Fonda and Redford

​While the dialogue is classic Neil Simon—snappy, rhythmic, and deeply Jewish-New York in its soul—the movie lives or dies on the chemistry of its leads.

• ​Jane Fonda is a whirlwind of infectious energy. She manages to make Corie’s flightiness feel like a genuine philosophy rather than just an annoyance.
• ​Robert Redford proves he was a comedic heavyweight long before he was a brooding director. His deadpan reactions to the absurdity surrounding him are the perfect anchor for the film’s more manic moments.

​Watching them argue is like watching a tennis match played with crystal glassware; it’s beautiful, fast-paced, and you’re constantly waiting for something to shatter. When they finally hit their breaking point—resulting in a drunken, hilarious rooftop standoff—the film finds its true heart. It’s a reminder that love isn't just about the "barefoot" moments; it’s about surviving the "shoes-on" responsibilities together.

​The 1960s Aesthetic

​Visually, the film is a feast for anyone who loves mid-century New York. From the sharp tailoring of Paul’s suits to the eclectic, "bohemian-chic" decor of the apartment (before they actually get furniture), it captures a very specific moment in urban history. It’s a world of rotary phones, heavy coats, and the belief that a bottle of Ouzo can solve any social awkwardness.

​The Verdict

​Barefoot in the Park remains one of the most watchable rom-coms of its era. It doesn't rely on grand gestures or "will-they-won't-they" tropes. Instead, it finds comedy in the mundane: the drafty windows, the overbearing mothers, and the terrifying realization that your spouse is a completely different person when they’re tired.

​It’s funny, it’s frantic, and yes, it’ll make you want to go for a walk in the park—shoes optional, but highly recommended if it’s February.

Avengers: Infinity War - The Big One

"Today we don't fight for one life...we fight for ALL of them." - T'Challa.

Over the course of the weekend, I have taken in two showings of Avengers: Infinity War. Both times I saw it with my girlfriend, and close friends. And both times electrified my imagination and jump-started my inner being with excitement. A fair warning to all who see it. If you are someone who loves comics AND the Marvel Cinematic Universe, this film will elicit a wide range of emotions from you. Chief among them is sadness and anger, for reasons that will become extremely clear extremely fast.

Anthony and Joe Russo have outdone themselves this time. Already having made a name for themselves with Captain America: Winter Soldier and Captain America: Civil War, this blows everything out of the water. To undertake a project of this magnitude, with a cast this large, and a story that has everything within the MCU hinging on it, needs to be handled with skill and dedication. Together, these brothers have done all they clearly set out to do with the movie and more.

Infinity War is now one of the largest cast superhero movies of all time. Every single member of that cast managed to get a degree of screen time, big and small. In the grand scheme of things, that is what matters. Everyone who has a favorite hero or heroes within the franchise, gets to see characters they appreciate be together with their fellow heroes in one of the biggest fights in all cinematic herodom.

From Robert Downey Jr. to Cobie Smulders, all play their parts that have become synonymous with their names to a T. The whole movie is basically a giant smorgasboard/who's who in MCU. And while there are some notable absences (for reasons that are explained away in-dialogue), such gaps are filled with the overflow of heroes and yes even villains on camera.

Speaking of villains, Josh Brolin truly stood and delivered as Thanos. To play the Mad Titan, one of the most formidable threats in all of Marvel Comics, is to take up a role with a complex background behind it. Admittedly, his purpose for wielding the Infinity Stones it different in the movie as opposed to the source material, but the mission still has the same driven energy behind it. What is most surprising is how far he is willing to go to acquire all 6 of the Infinity Stones. The quest to possess one of the stones will yield a very unexpected cameo from a MCU character. In order to see who, those who are waiting until the fervor dies down, make a point to see the movie this week or weekend.

On the subject of special effects, this is an area where the MCU has always excelled. Going all the way to 2008 with Iron Man, to the present with Infinity War, each installment has yielded more and more gratifying on-camera wizardry. Over the course of a decade, fans and audiences have seen Norse gods fly and throw lightening, super-soldiers become legends, and living trees and talking racoons save the galaxy multiple times over. And all of that is thanks to the Industrial Light & Magic, Framestore, Method Studios, Weta Digital plus 7 other companies. The end result speaks for itself, a symphony in light, sound and color guaranteed to fill the imagination with bright noises and flashing wonders.

Music wise, there is one mind-numbing score composed by legend Alan Silvestri. There is even a throw-back piece of music for the Guardians of the Galaxy to jam out to. There will be no spoilers as to where it shows up, only what the song is. 1976 hit 'Rubberband Man' by The Spinners. Here's a little something to jam out to in case seeing the movie isn't on the immediate horizon.

Another benchmark for Marvel/Disney's latest spectacular, is how booming it is doing at the box office. In the short amount of time it has been out, the film has broken all records and zoomed to the top of the collective charts. According to the Los Angeles Times yesterday, domestically (not adjusted for inflation), it topped out for opening weekend at $250 million, out-performing 2015's Star Wars: The Force Awakens (which earned $247.9 million before inflation). Worldwide it has blown the door of the barn, with a whopping $630 million intake so far globally, not counting the Chinese market (that debut isn't until May 11).

10 years. This has been 10 years in the making. From the moment Thanos appeared at the end of 2012's The Avengers, Marvel fans and movie-lovers of all ages have known this was where things would end up. Earth's Mightiest Heroes, the Sorcerer Supreme, a Friendly Neighborhood Spider-Man, plus the Guardians of the Galaxy and the might of Wakanda, all banded together to take on the single most dangerous threat to all existence. Now, with tears fresh and hearts ripped asunder by the outcome, the wait begins for the next installment. 2019 seems so far away now. Thankfully, there are other new outings from Marvel (and studios like Fox and Sony) to help make the wait go by faster. And if there is a hankering for some 'classic' MCU, all the previous movies from before.

Avengers: Infinity War receives a well-deserved 5 out of 5 stars. Not just on casting and special effects and music alone, but for its story, and for serving up an amazing almost 3 hours of plot-intense, slam-bang style magic that Marvel has become well known for.

The Greatest Showman - Musical Circus Magic Come Alive

"The noblest art is that of making others happy." - P.T. Barnum. 

Yesterday was such a thrilling day. Alongside my girlfriend and a dear friend of ours, we took in Hugh Jackman's latest musical spectacular. It was glorious. Songs that are catchy and memorable and engaging, a story that can resonate with people everywhere and a cast that binds it all together. This is The Greatest Showman, and it's a wild ride that shouldn't be missed.

Directed by newcomer Michael Gracey, for his first foray into the world of big movies, its a giant step. Not only is he working with Hugh Jackman, Zac Effron, Michelle Williams, Zendaya, Keala Settle, but this project is big because it's a movie musical. However, Michael has done a great job with Hugh on this and it is making big at the box offices currently.

Hugh Jackman is truly a great performer. Both on camera and on stage, his range is astounding. Taking on the role of P.T. Barnum, the man who gave America and the world 'The Greatest Show On Earth' is a role worthy of a talent like Mr. Jackman. There is such an electricity, such a fire and passion when he opens his mouth to sing or moves his feet to dance. Truly, Hugh is the very embodiment of 'the greatest showman'.

Standing by his side are Michelle Williams (Charity Barnum), Austyn Johnson (Caroline Barnum) and Cameron Seely (Helen Barnum). These three are Barnum's great joy, the reason for going into show business. And it takes the love of his family to help pull him back down from the high clouds (along with other things) and remind him why he started the circus in the first place. 

Now for a musical of this scale and caliber, an all-star cast is called for. Audiences will be overjoyed to see such talented and famous faces on camera alongside Jackman. 

Zac Efron, talented, funny, good-looking. He is a quint-essential Hollywood triple threat. Cutting his teeth first on High School Musical before doing other work, having him back in a musical movie is such a joy. The songs he shares with Jackman and the rest of the cast are pulse-pounding, catchy and excellent. His character Philip Carlyle, like many others, is an original creation. In this case Philip is a composite, based in part on P.T. Barnum's co-founder James A. Bailey. 

Zendaya, she is a star that is going to keep on rising. As with Efron, her's is a character created for the story. As trapeze artist Anne Wheeler, joining up with Barnum's circus allows her and her brother W.D. (Yahya Abdul-Mateen II) the chance to use their gifts and attempt to break away from all the racism and stigmatism of the times. Along the way, she and Philip (Efron) find themselves drawn towards one another. Under magic of the big top, they find joy and love in one another. 

Keala Settle takes center stage as the troupe's bearded lady Lettie Lutz. A star on the Broadway stage, there is such an easy transition for her onto the big screen. She gets to sing a big, show-stopping number in the middle of the movie, one that describes part of the message of the production and also delivers a real pulse-pounder to audiences. 

Rebecca Ferguson is European singing sensation Jenny Lind. Lind is one of the true historic figures of this movie, who was brought to America by Barnum as part of a national tour during his years as head of the circus. Like Keala, she too gets to sing her heart out with a moving song that adds its part to the story. 

Additional circus cast members include Sam Humphrey as Charles Stratton (General Tom Thumb), Yusaku Komori and Danial Son as conjoined twins Chang and Eng, Luciano Acuna Jr. as the Dog Boy,  Natasha Liu Bordizzo as knife expert Deng Yan, and a whole host of others. A final cast member of historic note is Paul Sparks as theater critic James Bennett, whose original reviews of Barnum's shows are reprinted for the movie. 

Two things that help make this such a standout movie musical are its songs and an interesting fact. The interesting fact is that this is Hugh Jackman's passion project and it took over 7 and 1/2 years of development. This is because studios were wary of bankrolling an original movie musical. So far it has surpassed expectations and has more then made back its budget at the box office. 

Song wise, this entire movie is chock full of upbeat and fantastic numbers. With lyrics written by the team of Pasek and Paul (La La Land), this means that musical lovers are in for lyrical treats. Two songs in particular are "This Is Me", which was awarded 2018's Golden Globe for 'Best Original Song' and "From Now On". 

This Is Me is something of the anthem of the entire movie. It is powerful and passionate. Sung by Keala Settle and the cast of the circus, its bold. Settle and her fellow performers are still shunned by the general public for being different, for looking strange. So what do they do? They sing about how they aren't going to be beaten down and how there is a place for them in the world. 

From Now On is equally as powerful because its an epiphany moment for Barnum's character. After almost losing everything, he remembers why he went into show business to begin with, for his family, both of them (wife/daughters and his circus family). He sings of getting back to the way things were, being with people who are important to him and love him for just being himself, not the gilded bird that society demanded. 

In many ways, while this sets out to tell a loose story of P.T. Barnum and the founding of the Barnum and Bailey Circus, it serves another purpose. It gives audiences a message of not being afraid to be yourself, of stepping out of the shadows and into the light. This is something that movie goers of all ages can latch onto amidst all the songs and fast-paced dancing. 

Movie musicals are a genre that is not what it once was in Hollywood. Gone are the days of Judy Garland, Gene Kelly, Fred Astaire. In its place are productions like this one. Big, loud, well-scripted, well-casted affairs that command just as much power as their forebears. The Greatest Showman set out to be the best it could be and to give people something magical, just like P.T. Barnum set out years ago when he first started his legendary circus. This cinematic musical wonderment receives a well-deserved 4 out of 4 stars. It is not something to be missed out on by people and almost certainly going to keep enshrining itself in the hearts and minds of generations of fans as they see it come alive. 

Disney's 'Beauty and the Beast' - A Disney Classic

"Tale as old as time. Song as old as rhyme. Beauty and the Beast." - Mrs. Potts.

This week is a very special and important week. Not just because it is the week before Christmas, but because it is also my girlfriends birthday week. And so in honor of her special day, I chose to write a piece on one of her all-time favorite animated films.

The 1990's was part of what was known as the Disney Renaissance. Labeled thus because of the vast creative output of films, it galvanized a renewed public interest in The Walt Disney Company as a whole. One of its most celebrated and successful animated features is the 1991 hit Beauty and the Beast.

Adapted from the 17th century French fairy tale, this is the story of a young woman named Belle, who feels like an outsider in her provincial country town where she is the only one who has a passion for books and knowledge. She finds herself drawn into an adventure full of wonder and romance when she selflessly takes her father's place in the castle of the Beast. During this time she not only makes new friends but also falls in love with Beast and finds in him a kindred spirit and a happy ending.

Every great animated movie always has several elements that help make it be the success that it is. Those parts are the production, the voice cast, and in the case of Disney, the music.

To detail every single aspect of the production of this animated masterpiece would take quite a while. So for the enjoyment of all, here is something special. The 'behind the scenes' story of Disney's Beauty and the Beast.

Behind every great animated character is a voice. For Disney's 30th full-length feature, a wide and wonderfully varied array of voice actors/actress's was cast. 

For the leading role of Belle, Disney found their voice in Paige O'Hara. She brought to the role a strength that has flowed over into both the Broadway show and the recent live-film version starring Emma Watson. Not only did Paige provide Belle with a sense of empowerment and individuality, but she also gave the character's songs a resounding melody that makes them some of the most-beloved numbers in the catalogue of classic Disney songs. 

In the part of the Beast, Robby Benson was the voice for both dialogue and songs. There is a lot of anger in his performance, all of it manifested from inside the Beast and channeled outward at the world and everyone in it. As the story progress's, he changes the tones from being pure gruff to having a warm and tender edge. And like Paige, his singing is pure magic, the sort one never tires of listening to. 

What helps make this story so stand-out isn't just the leading voices, but the support as well. Four of the most memorable voices are those of the Beasts key servants. 

Lumière and Cogsworth, what a pair those two make. Voiced by the talented duo of Jerry Orbach and David Ogden Stiers, these two help propel Belle and Beast's relationship along. They also have a lot of great back and forth banter that adds humor to the story, not to mention their playing off one another makes their character's all the more loveable. 

Another pair of beloved members of the castle staff are Mrs. Potts and her son Chip. Mrs. Potts was given a stern but loving English voice by veteran actress Angela Lansbury, while Chip's precocious youth was sparked by Bradley Pierce. Together they are an adorable mother/son pairing, not to mention Angela's stirring performance of one of the movie's key songs. 

On a whole, Beauty and the Beast has songs galore that are just dynamite. Both the animated, Broadway and now live movie soundtracks are universally loved. All due deference must be given to the animated film for the precedent it set years ago. Especially with three songs in particular. 

'Be Our Guest' is in many ways the big song and dance number. It has an upbeat and fast-paced tune, fantastic singing from Jerry Orbach and the cast, not to mention its catchy and memorable lyrics. 

'Something There' is a sweet number. It speaks of the growing attraction between Belle and the Beast. Where there was once fear and misunderstanding, there is common ground, common interests, the beginnings of love. This is a song that speaks of the blossoming romance that is in store for the pair. 

The third and perhaps best song, is not just appealing on an auditory level, but a visual one as well. Sung by Angela Lansbury, this is a piece that has all the classic elements of a big romantic song. It speaks of the now there love between the protagonists, and how it started small and grew into something magical. Plus, it was the number that had a full cinematic treatment. Utilizing Pixar's CAPS (Computer Animation Production System), the animated figures of Belle and Beast were superimposed onto the computer generated ballroom which allowed for 'cameras' to dolly around them in 3D space. This provided a beautiful spectacle for audiences that capture the full force of this love story in a single moment. 

The Walt Disney Company and their movies are some of the most universally known and loved. Since Snow White and the Seven Dwarfs was released in 1937, it has been a non-stop ride of magic, songs and fantastic stories. Beauty and the Beast is in many ways one of the crown jewels because of how powerful, memorable and wonderful it is. 

This is why it gave me great pleasure to write about this for my girlfriend, because I know how much she loves this movie and how much it means to her. 

So the next time there is nothing to watch on TV or online, punch up a copy of Beauty and the Beast, sit back and relax as you are made the guests of a story that is romance given animated form. 

The Disaster Artist - The Best Worst Film Ever

"You're really gonna make this thing?" - Greg Sestero

"No, Greg. We are going to do it. Together." - Tommy Wiseau

Tonight, with my girlfriend and a close friends of ours, a hilarious movie. It tells the story of two friends, and their dream to make a movie together. What follows is them producing a film so horrible, it has become famous because of how bad it is. I am speaking of course about The Disaster Artist.

Directed, produced and starring James Franco as Tommy Wiseau, Franco does a hilarious and disturbing job bringing Tommy to life on screen. Looking at clips from Wiseau's film The Room (part of the story of Disaster Artist), it is really quite frightening to see how strongly he emulates the character traits of Wiseau on camera. There are times one forgets that it is James Franco on camera.

Playing Tommy's friend and co-star Greg Sestero is Dave Franco. Greg's character is the straight man of the story. Like Tommy he wants to be a star and make movies. But where Tommy keeps trying to do all sorts of outrageous stuff on set (not knowing how story works or how movie-making happens), Greg is there to try and ground things. Seeing these two brothers working together and feeding off one another's energy is so much fun. They are their best co-stars on camera and it shows through their interactions and playing off one another.

Overall the entire cast does a fabulous job. Seth Rogen, Ari Graynor, Josh Hutcherson, Alison Brie etc. they all help contribute to the story and bring this crazy tale to life. There are even surprise cameo's from other famous faces, so keep those eyes open for them.

Something that made The Disaster Artist such a funny and refreshing piece was that IT'S ALL TRUE. This is based on a story of a movie that was actually made, and is so terrible it has been hailed as "Citizen Kane of bad movies". Because of its historical grounding, one would imagine that such a production means a movie about it would be equally as bad. And yet, as I said this is refreshing because there is such honesty and drive in it. Tommy doesn't let anything stand in the way of his vision becoming reality, not negativity, not anger from his cast/crew. He grabs for the stars and hangs on tight.

If anyone is looking for a movie that is going to bring lots of laughs, this is it. If they are looking for a movie that can inspire them, heck this is that too. Or if they want to see it just because they love James Franco, well then get ready for a whole lot of Franco on camera. Final analysis, a whooping 4 out of 4 stars to this laugh-fest about a movie that may be complete trash, but is still a heck of a story.

Star Wars: The Last Jedi - A Confusing Plot

"I know only one truth. It's time for the Jedi... to end." - Luke Skywalker.

Yesterday, for my girlfriends birthday I had the privilege of seeing the latest Star Wars film with her and my family. It was a wonderful and joyous time, getting to celebrate her special day with family. And while The Last Jedi was visually a grand spectacle, in some ways it did things that mucked around with the story and left me wondering "What is going on?".

Before diving into the things that left me wanting, I do want to touch on some of the positive aspects.

Firstly, while Director Rian Johnson did do a lot that had me and no doubt other Star Wars scratching their heads, he did do a lot right. In many ways he honored the overall legacy of the Star Wars franchise through its casting, story (to an extent) and of course with utterly amazing visuals.

This cast was superb. Each time another chapter of Star Wars is released, its cast is always one of the things that helps make the movie great. Mark Hamill, Carrie Fisher, Daisy Ridley, John Boyega, Oscar Isaac, Adam Driver, Laura Dern, Gwendoline Christie, Kelly Marie Tran etc. everybody did supreme on camera. Some of the best performances came from cast members sharing scenes with other people, whether it was Mark/Daisy, John/Oscar, Carrie/Oscar etc. Old faces returned, newish faces came back and other new people (like Kelly Marie Tran's character Rose Tico), quickly won their way into audiences hearts. Whatever comes next with the sequel's cast, it will be just as great as this and previous films. 

Visually, as with all other Star Wars movies, The Last Jedi hit the nail on the head. While there is a great deal of visual action that take's place in space, there is other material down on various planets to satisfy audience's appetites. One such example is the final battle on the planet of Crait, because as seen in the trailers, there is great shots of speeders skimming along the surface kicking up red dust clouds. While yes it is the final showdown, there's a lot to be seen and said because of the speeders, the First Order's ground forces and a special surprise for fans as well. 

The biggest issue again is with the story itself. While the plot is solid, there are too many loose threads that don't really tie together. For example, its clear from the get-go that Luke will die/pass on in the movie, like Yoda and Anakin and Obi-Wan before him. With Han Solo already dead in The Force Awakens, how can Disney/Lucasfilm have another of its primary characters die, and leave General Leia alive, when Carrie Fisher is no longer with us? It just doesn't make any amount of sense. 

    

Another plot issue is that of Snoke and Kylo Ren. For those who haven't seen the movie it will become clear what is talked about here. So much about Snoke is unknown aside from his abilities/power with the Force and his clear influence over the First Order. He is clearly meant to be/set up as a sort of second Emperor, but even Emperor Palpatine had a more fleshed out backstory in the prequel trilogy. There are so many questions, like how did Snoke become a power figure? How did he meet/influence Kylo Ren? What is his true ultimate goal for Rey and Ren? None of these get answered or even remotely touched on. 

The Last Jedi was in all honesty, a fun watch. It set out to tell a Star Wars story and it accomplished that. Unfortunately it took a lot of jumps along the way and skipped over things story-wise that make Star Wars movies truly great examples of science-fiction cinema. Therefore, I am awarding The Last Jedi 3 out of 4 stars, mainly for missing the mark on plot. This however should not deter people from seeing this space-opera epic and enjoying themselves. It's Star Wars for gosh sakes, its fun no matter what is liked or disliked about it. So go, enjoy, and may the Force be with you. 

Justice League: DC's Heroes Unite

"People said the Age of Heroes would never come again" - Diana Prince.

Last night, alongside my girlfriend, my brother and a group of our close friends, all of us sat down to take in what proved to be a superhero cinematic masterpiece. In spite of the poor reception it has received in professional circles, Warner Bros. Pictures latest epic Justice League, far surpassed all expectations.

Many people who are lifelong DC Comics readers and devoted fans of all their other media will find this movie to be in many cases, exactly what they wanted. Others will not enjoy it as much, and that's okay, these sorts of productions can't please everyone.

    

With two directors attached to it (Zach Snyder and Joss Whedon), what is served up is a movie that is neither serious nor silly, dark nor light. Instead it is a balanced piece, equal parts serious with lots of action and equal parts humorous with excellent dialogue between League members. These two men working to bring this vision to life, instead did something far more.

This, the first ever live-action Justice League movie, evoked memories of the Bruce Timm cartoons that aired on Cartoon Network during the 2000s. Which is to say, it took itself seriously, but not so much that it didn't forget that not everyone on the team has to be dour all the time. There is room for humor and banter, especially with newcomers playing the roles of Flash, Cyborg and Aquaman.

Flash (Ezra Miller) is a very comedic character, but can be serious when there is need. This fits more or less with how Barry Allen's tenure as the Flash has always been, a man who can bring smiles to people's faces but when the chips are down, he steps up. People get a Barry Allen who is still fresh to the hero game. Aside from stopping small crimes (mostly by pushing people over like in Suicide Squad), this is that stepping up point for Barry. In stepping up, he moves past any doubts or fears he had about himself, and shows what the true mettle of a hero is.

Speaking of mettle, its time to talk about the metal man himself, Cyborg. Victor Stone (Ray Fisher) is a complex figure. Blessed or cursed with new life and powers that he doesn't fully understand, Victor goes through a very serious crisis of self, of where he fits into the world now and what his purpose is. It takes wise words from Diana/Wonder Woman for him to see that even with being more machine, its not the technology that makes a hero, but the person behind it.

The final newcomer and member of the League is the Sovereign of the Seven Seas, Aquaman. Arthur Curry (Jason Momoa) is man of two worlds. For him, its not a struggle about his place, but what he wants to do with himself, being half human and half Atlantean. Like Cyborg and Flash however, he makes the choice to step up and stand alongside the rest of the team and save the world. In doing so, the brash loner attitude fades away, in its place is the warrior fighting with friends for a greater good.

Every great superhero movie needs a grand villain, a powerful threat to save the day from. Appearing for the first time ever in movies, is Steppenwolf (Ciarán Hinds). Without giving away any of his role in the plot, here is his basic comic book background. Created by Jack Kirby and appearing in New Gods #7 (1972), Steppenwolf hails from the planet Apokolips. As head of the world's military forces, he is also uncle to its absolute ruler, Darkseid. His purpose on Earth in the film is that is of a mission from his master and nephew, and that's all to be said on that and not give away any spoilers. 

Even with it being a comic book movie, there is a great theme prevalent throughout the script. Like Diana's quote about the Age of Heroes, this story is about heroes. It takes more then just one man or woman to make a difference in this case, it takes people standing up and coming into the sun. Too long had the world gone without a light to provide hope in dark times. The Justice League coming together provides that light, that beacon. This story does a lot not only in terms of introducing the three newcomers as other charter League teammates, it also is a bigger springboard for DC to introduce the world to its vast and fantastic array of super characters.

Altogether, Justice League set out with a goal. To tell the tale of DC Comics premier team banding together on the big screen. With fabulous return performances from Ben Affleck, Gal Gadot and Henry Cavill, they are truly a sight to behold. There is also a storied and great support cast, with the likes of Connie Nielsen (Queen Hippolyta), Joe Morton (Silas Stone), Amy Adams (Lois Lane), Jeremy Irons (Alfred Pennyworth), JK Simmons (Commissioner Gordon), Amber Heard (Mera), Diane Lane (Martha Kent) and Billy Crudup (Henry Allen). 

Not too mention Easter Eggs galore. To comic book fans and hardcore DC lovers, this is a picture chock full of them. It as if every other scene or sequence has a nod to something relating to the comics, the heroes or the DC Universe at large. For a complete (or near complete) list of all the Easter Eggs and references, click here to go to Den of Geek. 

As for the soundtrack, it was...super. With master music meister Danny Elfman at the helm, it was never going to fail. Beautiful and powerful orchestrations, the kind of music that made Superman and Batman celebrated DC movies in their time. There are three distinct nods to classic superhero tracks scattered throughout the movie. Keep those ears open and see if they jump out. 

If there was ever a time for a movie about heroes bringing hope to come out, its now. Every day the world at large seems like a dark place. Things constantly are on the brink of plunging into chaos at any moment. Even with it being a fictional tale, this was a much needed and welcome film. It not only underscores the classic hero concept, it shows what sort of difference can be made when people make a stand for truth and justice. That's a massive takeaway, especially in a world where superpowers don't exist and figures like Superman or Wonder Woman can't come racing from the sky to right wrongs. Justice League gets a whooping 5 out of 5 stars for plot, cast, strong themes, music and visuals and most of all, for at long last giving nerds and fans everywhere the great DC blockbuster they've always craved.